Today in “Hidden” History is a daily listing of important but little-known events illustrating the range of innovators, contributors, or incidents excluded from formal history lessons or common knowledge. Hidden history is intended not as an exhaustive review, but merely as an illustration of how popular narratives "hide" many matters of fundamental importance. Bookmark this page and check daily to quickly expand your knowledge. Suggest entries for Today in “Hidden” History by clicking the Contact Us link. Entries for April 09:
| Date | Type | Event |
|---|---|---|
| 1775 | Free Blacks fight with the Minutemen in the opening skirmishes of the Revolutionary War at Lexington and Concord. Learn more. | |
| 1887 | Florence Beatrice Price (née Smith) is born. A classical composer, pianist, organist and music teacher, Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra. In 1932, Price submitted compositions for the Wanamaker Foundation Awards. Price won first prize with her Symphony in E minor, and third for her Piano Sonata. The Chicago Symphony Orchestra, conducted by Frederick Stock, premiered the Symphony on June 15, 1933, making Price’s piece the first composition by an African-American woman to be played by a major orchestra. A number of Price's other orchestral works were played by the WPA Symphony Orchestra of Detroit, the Chicago Women’s Symphony, and the Women's Symphony Orchestra of Chicago. Price wrote other extended works for orchestra, chamber works, art songs, works for violin, organ anthems, piano pieces, spiritual arrangements, four symphonies, three piano concertos, and a violin concerto. Some of her more popular works are: "Three Little Negro Dances," "Songs to the Dark Virgin", "My Soul's Been Anchored in the Lord" for piano or orchestra and voice, and "Moon Bridge". Price made considerable use of characteristic African-American melodies and rhythms in many of her works. Her Concert Overture on Negro Spirituals, Symphony in E minor, and Negro Folksongs in Counterpoint for string quartet, all serve as excellent examples of her idiomatic work. Price was inducted into the American Society of Composers, Authors, and Publishers in 1940 for her work as a composer. In 1949, Price published two of her spiritual arrangements, "I Am Bound for the Kingdom," and "I'm Workin’ on My Buildin'", and dedicated them to Marian Anderson, who performed them on a regular basis. Learn more. | |
| 1898 | Paul Leroy Robeson is born. An American bass baritone concert artist and stage and film actor, Robeson became famous both for his cultural accomplishments and for his political activism. Educated at Rutgers College and Columbia University, he was a star athlete in his youth. Robeson also studied Swahili and phonetics at the School of Oriental and African Studies in London in 1934. His political activities began with his involvement with unemployed workers and anti-imperialist students whom he met in Britain and continued with support for the Republican cause in the Spanish Civil War and his opposition to fascism. In the United States he became active in the Civil Rights Movement and other social justice campaigns. Learn more. | |
| 1939 | Marian Anderson gives a concert on the steps of the Lincoln Memorial in Washington, DC before a crowd of 75,000 people in attendance and millions more listening over the radio. The greatest opera singer of her day, lauded by European nobility and called by great Italian conductor Arturo Toscanini a voice heard “once in a hundred years,”Anderson had previously been denied rental of the Daughters of the American Revolution (DAR) Constitution Hall and all the local public school auditoriums owing to their whites-only policies. Sixteen years after the Lincoln Memorial concert, Ms. Anderson performed at the Metropolitan Opera in New York in 1955, becoming the first Black artist to do so. Throughout her career, Ms. Anderson continued to perform all over the world while also lending her talent to the struggle against racial injustice. The granddaughter of Black people once enslaved in Virginia, she sang at the March on Washington in 1963, and was awarded the Presidential Medal of Freedom that same year. Learn more. |
Free Blacks fight with the Minutemen in the opening skirmishes of the Revolutionary War at Lexington and Concord.
Florence Beatrice Price (née Smith) is born. A classical composer, pianist, organist and music teacher, Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra. In 1932, Price submitted compositions for the Wanamaker Foundation Awards. Price won first prize with her Symphony in E minor, and third for her Piano Sonata. The Chicago Symphony Orchestra, conducted by Frederick Stock, premiered the Symphony on June 15, 1933, making Price’s piece the first composition by an African-American woman to be played by a major orchestra. A number of Price's other orchestral works were played by the WPA Symphony Orchestra of Detroit, the Chicago Women’s Symphony, and the Women's Symphony Orchestra of Chicago. Price wrote other extended works for orchestra, chamber works, art songs, works for violin, organ anthems, piano pieces, spiritual arrangements, four symphonies, three piano concertos, and a violin concerto. Some of her more popular works are: "Three Little Negro Dances," "Songs to the Dark Virgin", "My Soul's Been Anchored in the Lord" for piano or orchestra and voice, and "Moon Bridge". Price made considerable use of characteristic African-American melodies and rhythms in many of her works. Her Concert Overture on Negro Spirituals, Symphony in E minor, and Negro Folksongs in Counterpoint for string quartet, all serve as excellent examples of her idiomatic work. Price was inducted into the American Society of Composers, Authors, and Publishers in 1940 for her work as a composer. In 1949, Price published two of her spiritual arrangements, "I Am Bound for the Kingdom," and "I'm Workin’ on My Buildin'", and dedicated them to Marian Anderson, who performed them on a regular basis.
Paul Leroy Robeson is born. An American bass baritone concert artist and stage and film actor, Robeson became famous both for his cultural accomplishments and for his political activism. Educated at Rutgers College and Columbia University, he was a star athlete in his youth. Robeson also studied Swahili and phonetics at the School of Oriental and African Studies in London in 1934. His political activities began with his involvement with unemployed workers and anti-imperialist students whom he met in Britain and continued with support for the Republican cause in the Spanish Civil War and his opposition to fascism. In the United States he became active in the Civil Rights Movement and other social justice campaigns.
Marian Anderson gives a concert on the steps of the Lincoln Memorial in Washington, DC before a crowd of 75,000 people in attendance and millions more listening over the radio. The greatest opera singer of her day, lauded by European nobility and called by great Italian conductor Arturo Toscanini a voice heard “once in a hundred years,”Anderson had previously been denied rental of the Daughters of the American Revolution (DAR) Constitution Hall and all the local public school auditoriums owing to their whites-only policies. Sixteen years after the Lincoln Memorial concert, Ms. Anderson performed at the Metropolitan Opera in New York in 1955, becoming the first Black artist to do so. Throughout her career, Ms. Anderson continued to perform all over the world while also lending her talent to the struggle against racial injustice. The granddaughter of Black people once enslaved in Virginia, she sang at the March on Washington in 1963, and was awarded the Presidential Medal of Freedom that same year.

